A French Comedy That Dares to Dream and Delve
Released in 1987 and crafted under the watchful eye of director Gianfranco Mingozzi, What Every Frenchwoman Wants offers audiences a glimpse into the vibrant and comically entangled world of young love and desire. Starring Serena Grandi, a pivotal actress of her era, alongside luminaries like Claudine Auger and Marina Vlady, this film provides a comedy that is as culturally rich as it is delightfully whimsical. In this movie review, we'll dive deep into the irreverent harmonies and striking visuals that make this a noteworthy entry in the long-standing tradition of comedy films.
When Comic Chaos Meets French Charm
The plot of What Every Frenchwoman Wants revolves around the humorous escapades of a young man, portrayed by Fabrice Josso, as he navigates the labyrinthine complexities of adolescence and burgeoning sexuality. In a time when coming-of-age tales normally resort to the mundane, this film instead infuses its narrative with a touch of surrealism and an abundance of curiosity-driven narrative choices. Themes of mischief, growing pains, and tender exploration are knotted together with a deft hand, delivering a narrative that is as intriguing as it is humorous—a sort of 'French connection' between classic romance and spirited hilarity.
Delivering Performances: From Tender to Tantalizing
In this film critique, it's impossible not to highlight the impressive cast's contribution. Serena Grandi, with her vivacious and magnetic presence, inevitably captures the eye, offering a performance both nuanced and captivating. Her dynamic with Josso is richly layered, swinging between mentor, muse, and perhaps even a figment of youthful fantasy. Claudine Auger and Marina Vlady offer their own unique flavors, enhancing the tapestry of relationships presented on screen. Together, they create a world that is both believable and delightfully exaggerated—a paradox that only a French comedy could handle with such finesse.
Cinematic Craft: A Whimsical Wonder
The cinematography of What Every Frenchwoman Wants makes the film a visually enticing journey. The lush countryside settings contrast perfectly with the chaotic momentum of inner turmoil afflicting our protagonist. Mingozzi's direction is both meticulous and imaginative, reminiscent of the Italian cinematic tradition, yet tailored to fit the French comedic flair that makes this film so unique. The screenplay, shaped by the creative genius of Guillaume Apollinaire, Jean-Claude Carrière, and Peter Fleischmann, melds poetic wit with mischievous verve, producing dialogues that dance between playful and profound with all the ease of a butterfly on a breezy afternoon.
French Fancies and Genre Giants
Not unlike the enchanting 'La Boum' series, What Every Frenchwoman Wants sparkles with nostalgia alluding to the colorful tapestry of 1980s European cinema. Yet, its whimsy and audacity mark it as a stand-alone gem within the archives of comedy films. The film's playfulness is reminiscent of more modern romantic comedies, though it straddles a fine line between comedic exploration and social commentary much in the way of a youthful Federico Fellini might have handled. It's a rarity in its genre, dancing upon a tightrope and performing with a flair unmatched by contemporary offerings.
Final Stirring Thoughts and an Invitation for Laughter
If there's one resonant conclusion to draw from this cinema analysis, it's that What Every Frenchwoman Wants delights in its craftiness and courts intrigue with every turn of phrase and visual flourish. It's an unmissable treat for anyone looking to dive into the delightful tumult of youthful innocence layered with comedic sophistication. Grab your favorite glass of French wine, as this movie begs not only to be watched but cherished. For those who enjoy the wit of comedy films and a touch of French panache, don't let this one slip by unnoticed—trust me, this cinematic tale of curiosity is not just a movie, it's an experience!